México plan 2108
To bring
- Beans mapple
👍- Cepillo dental
👍- Québec Black Exodus CD Otho
👍- USBs with plasma music
👍- mapple té (Mk)
👍- t-shirt apá
👌Sat 16 Dentista
👌Dim 17 Get rest and work at home
👌Lun 18 Work at home
👌Mart 19 Joe
Miér 20 Miguel
Juev 21 Clon? / Odin? / Mónica?
Vier 22 Changuita
Sat 23 Tita... Centro profética / Sapos Cera, Mineralia (huevo negro galaxia para mariana), Hamaca, quelque chose pour San et Alex
Dom 24 Mamichi... Mercado, Chiles, Queso
Things to do
👍- cire pour muebles/bois (sapos)
👍- Mineralia (zócalo)
👍- Profética (libros para Zoé)
- Mezcal pour Alain
- Hamac (pregunta a papá)
- Chiles, queso (mercado)
PEOPLE
- Mónica (Soupe?)
- Clon (Ensayo)
- Odin (cafe)
- Changuita
FOOD
👍- PASTEK
>> Melon d'eau
>> Feta (Cotija)
>> Menta
- Sopita Minestrone
>> Carrote
>> Celery
>> Fèves
>> Can de tomate
>> Épinards
>> Chou (col)
>> Onion
>> Garlic
- Salade de légumineuses
>> Poichishes
>> Haricot rouge
>> Poivrons de couleur
>> Celery
>> Basilic
>> Échalotes (cebollas cambray?)
>> Vinagret : huile d'olive avec Vinagre Balsamique
>> Sel et Poivre
👍TACOS DE POICHISHES
>> Aguacate
>> Pimientos
>> Limón
>> Crema
>> Cilantro
Receta de papá : Zanahoria con Canela y piloncillo.
20190705
Contradictions
The inability to put themself in the other creates huges contradictions of behaviour and way of thinking.
She say:
I'm giving you all my money and you can not even give me some affection? Because is the only thing I ask, attentions, affections and love.
She think:
Do you think those woman are with your father/brother because they love them? They are just for the money the bitches.
She say:
I'm giving you all my money and you can not even give me some affection? Because is the only thing I ask, attentions, affections and love.
She think:
Do you think those woman are with your father/brother because they love them? They are just for the money the bitches.
「Choices」
「Choices」
There is always an option, a choice to make.
The chosen road. The chosen music. The chosen car. The chosen accessories, colors. Out there, there is choices. Looks like everywhere you look at.
But how do we know what road we should take?. How do we know if we have chosen the good one?.
Sometimes we just have to wait. For the call, for the signal, for the autobus of life. But before we needed to chose to take it. Like music. Somehow you create your soundtrack. And we keep waiting.
We walk and we travel, we make our space. We decide but how far?. Free will. Can we control dreams? Can you control your heart beat? Can you control death
What is to be yourself, something that haven't been before. What is to be natural with all this accessories anyway, in this autobus. With all this technologie and all this flavors on us. The sun, that should be natural. But us, here we are moving us from one place to another. All of us. Still under the sun. Movement. Shadows in the transparency of the reflections... to yourself.
More patience to wait, to cross borders, to wait more to be moved. To chose to be yourself even here. With all this people. With all this lights that look to never go.
Silence.
We walk to discover, to change, to be. We look to the past and we can see what we have done. Sometimes when we arrive we need to wait more. Looks like our life is build in blocks of time.
What is this force that keep us walking, for empty spaces, for this so called future. Is it really love? Love for being alive. For being here. To look back and keep moving forward with no mater what choices we have done. We are still here. With all this accessories that the present brings us. From black to white, backwards and forward. We will use them... to keep us moving. To discover what our own choices are made of.
There is always an option, a choice to make.
The chosen road. The chosen music. The chosen car. The chosen accessories, colors. Out there, there is choices. Looks like everywhere you look at.
But how do we know what road we should take?. How do we know if we have chosen the good one?.
Sometimes we just have to wait. For the call, for the signal, for the autobus of life. But before we needed to chose to take it. Like music. Somehow you create your soundtrack. And we keep waiting.
We walk and we travel, we make our space. We decide but how far?. Free will. Can we control dreams? Can you control your heart beat? Can you control death
What is to be yourself, something that haven't been before. What is to be natural with all this accessories anyway, in this autobus. With all this technologie and all this flavors on us. The sun, that should be natural. But us, here we are moving us from one place to another. All of us. Still under the sun. Movement. Shadows in the transparency of the reflections... to yourself.
More patience to wait, to cross borders, to wait more to be moved. To chose to be yourself even here. With all this people. With all this lights that look to never go.
Silence.
We walk to discover, to change, to be. We look to the past and we can see what we have done. Sometimes when we arrive we need to wait more. Looks like our life is build in blocks of time.
What is this force that keep us walking, for empty spaces, for this so called future. Is it really love? Love for being alive. For being here. To look back and keep moving forward with no mater what choices we have done. We are still here. With all this accessories that the present brings us. From black to white, backwards and forward. We will use them... to keep us moving. To discover what our own choices are made of.
Mamacita Soleil
Mi mamá cita soleil
Qui donne la vie à la terre
La lune, la terre et la mère
c'est Merveille
Qui donne la vie à la terre
La lune, la terre et la mère
c'est Merveille
Sex, Desire, Fear and Love
Sex, Desire, Fear and Love
We are based on the interpretation of fear and how we have different readings about sex, desire and love.
You fear is that I'm able to talk about it because it's something already done with us. So fear at maximum.
Questions :
Why if she felt uncomfortable she never told me anything to me in the first place. She needed to play the victim in order to take care the only thing left she had... Her reputation.
Because in the way it looks like... Playing the victim. Is that she need to tell you that was her needed to stop me... When actually she looks really IN on the conversations. Why someone would keep pushing topics when someone looks so uncomfortable and awkward. That is favorable in the victim point of view, because talking with someone who is pushing the conversation is weird.
Why she never told you the good things?. Because to skip the favorable things, is not favorable for playing the victim. She could look more vulnerable because the only topic is the bad things. There is nothing good to put in balance.
Why she never told you that we have the same type of conversations as if you are there. For me seems normal. But to play the victim she need to skip those things. So we never talk like that alone. So it looks weird already... (Like she never tell you when she propose to see us when you are not there)
I don't catch her intentions. I can imagine that she didn't get what she wanted. Now she feel the need to clean her intentions behind her... In order to be clean and don't end like the bad one.
So, we are dealing with feelings and emotions. We can track some conversations but we forget the context. One who allow us to touch those grownds.
How to expand the universe.
When she didn't "found" the conversation... She add a piece of information. She told you. Maybe in the disappearing conversations we use to have. What are the implications here? That we use to chat several times there? So there is a full range of things that happened there. When in reality, the only text exchanges we had was when I was showing her how to use it, how it works. (what a difference)
Identity and Dance
For identity. We change. It's not a goal into knowing. Is flexible and change over time. Who we are is not what we where. Values can change. Needs can change. Destiny can change. It's a journey that begins when you decide to start.
/////////
Steps to be convinced...
We need to follow the
Convincing strategy :
By level of authority.
How do you know this is a good.... (Car, shoes, stereo, clock)
This tells you how they choose to convince themself.
- Self evidence.
- External evidence
- External Data
Intensity, frequency and duration.
Evidence patterns.
Vast majority of people have an occurrence, a frequency between 3 to 7 times
Duration... How long does it last.
Level of authority... YouTube stats, 2d search engine.
Answer... How long it last?
/////////
Dance is a language that can not be expressed in text, in sound. But in movement. You can see it or you can feel it.
////////
/////////
Steps to be convinced...
We need to follow the
Convincing strategy :
By level of authority.
How do you know this is a good.... (Car, shoes, stereo, clock)
This tells you how they choose to convince themself.
- Self evidence.
- External evidence
- External Data
Intensity, frequency and duration.
Evidence patterns.
Vast majority of people have an occurrence, a frequency between 3 to 7 times
Duration... How long does it last.
Level of authority... YouTube stats, 2d search engine.
Answer... How long it last?
/////////
Dance is a language that can not be expressed in text, in sound. But in movement. You can see it or you can feel it.
////////
Manifesto for BE-BOX, Plasma Media, Eva Films
MANIFESTO
We believe time is a limited resource we all experience.
We believe that contributing in the development of the creativity and growing happy kids is an investment for a better future.
CONTENT
(promote organization skills)
To add calendars to help them with their schedules.
To add clocks to draw (like the one of em)
(promote social mechanisms, interaction and marketing of the product at the same time)
Inside to add something to share with a friend at school or family members.
For EvaFilms.ca
Wrote about... (Audio de Simon, in 7hrs 39min 10sec) the study where people in couple live longer than singles one...
For plasma
7:55:26 de Simon...
About the purpose, to start the post .
I took the bus at 10:35am until
We believe time is a limited resource we all experience.
We believe that contributing in the development of the creativity and growing happy kids is an investment for a better future.
CONTENT
(promote organization skills)
To add calendars to help them with their schedules.
To add clocks to draw (like the one of em)
(promote social mechanisms, interaction and marketing of the product at the same time)
Inside to add something to share with a friend at school or family members.
For EvaFilms.ca
Wrote about... (Audio de Simon, in 7hrs 39min 10sec) the study where people in couple live longer than singles one...
For plasma
7:55:26 de Simon...
About the purpose, to start the post .
I took the bus at 10:35am until
Interview for Mariel Montero Sena and Humberto, Huma
Interview for Mariel Montero Sena and Humberto, Huma
- Who are you?
- Why you like so much what you do?
- How did you start doing what you do?
- Why you do what you do?
- Why you create HUMA? What is the problem you are solving?
- Who is behind HUMA? (the people)
- What we could expect since we enter, during our meals and when we left the place?
- For who is HUMA created? What is your ideal client?
- What you envision for HUMA in the near future?
- Who are you?
- Why you like so much what you do?
- How did you start doing what you do?
- Why you do what you do?
- Why you create HUMA? What is the problem you are solving?
- Who is behind HUMA? (the people)
- What we could expect since we enter, during our meals and when we left the place?
- For who is HUMA created? What is your ideal client?
- What you envision for HUMA in the near future?
Idea Wedding Film or Save The Date - Jenny + Leo - Save the date
Save the date video
Duration: 1-2 min
VERSION: I'M COMING
We see Jenny alone in a place. Taking coffee?. Maybe waiting for something or someone who doesn't comes. She stand up and leaves.
We see him doing the same thing.
(maybe writing on their phone both... "where are you?")
We see them both alone that they stand up and go.
Cut
We see him walking on the street.
We see her walking on the street.
Cut
We see them both independently running/walking in the snow like searching. Looking back but focus in front (the future).
Shoot of both of them center Dolly-in
Details of him and her. (emotions)
Final shot is when we see them in slow-mo running towards each other... But before they get close... (the huging or kissing)
Cut in black
TXT "Save the date"
Coffee 4 shots
1. Wide stablishing shot of coffee
2. Medium shot waiting
3. Phone close-shot txt
4. Stand up and go out.
* Shoot level of shoes in slo-mo to see snow from their foots
* Dolly-in in slow-motion of them centered
* Walking together holding-hands
* Jimbal spinning around them while they hug
* Close-up of their smiles
* Close-up of what they are touching
Storytelling bulletpoints.
1. THE EVENT. A normal day and and something happens.
2. THE CHALLENGE. The proof to pass or to fail.
3. A MAGICAL MOMENT/PERSON. This is the revelation or lesson.
4. THE JUMP, THE DESITION, THE COMMITMENT, THE QUEST. This is where we face the big challenges to pass or overcome them.
5. Coming back to a normal day but renovated.
Duration: 1-2 min
VERSION: I'M COMING
We see Jenny alone in a place. Taking coffee?. Maybe waiting for something or someone who doesn't comes. She stand up and leaves.
We see him doing the same thing.
(maybe writing on their phone both... "where are you?")
We see them both alone that they stand up and go.
Cut
We see him walking on the street.
We see her walking on the street.
Cut
We see them both independently running/walking in the snow like searching. Looking back but focus in front (the future).
Shoot of both of them center Dolly-in
Details of him and her. (emotions)
Final shot is when we see them in slow-mo running towards each other... But before they get close... (the huging or kissing)
Cut in black
TXT "Save the date"
Coffee 4 shots
1. Wide stablishing shot of coffee
2. Medium shot waiting
3. Phone close-shot txt
4. Stand up and go out.
* Shoot level of shoes in slo-mo to see snow from their foots
* Dolly-in in slow-motion of them centered
* Walking together holding-hands
* Jimbal spinning around them while they hug
* Close-up of their smiles
* Close-up of what they are touching
Storytelling bulletpoints.
1. THE EVENT. A normal day and and something happens.
2. THE CHALLENGE. The proof to pass or to fail.
3. A MAGICAL MOMENT/PERSON. This is the revelation or lesson.
4. THE JUMP, THE DESITION, THE COMMITMENT, THE QUEST. This is where we face the big challenges to pass or overcome them.
5. Coming back to a normal day but renovated.
20190623
20190610
Momentos de Claridad
Momentos de claridad
Y
se dejó caer el cabello,
Y
se complicó la vida aunque todos la odiaban. Pero esa era su decisión y no
había nadie que pudiera negarlo, no ahora que el arma a caído al suelo y sigue
tibia por la venganza.
Caminó
del lugar. Esa noche quería que su historia quedara sepultada en esa escena.
Imaginaba el final de la película, mientras la música comenzaba. Títulos de los
créditos en pantalla. Tres, el presente y el pasado que era su futuro.
Bailaba
en la calle. Bailaba en esa noche como si el alma se le regocijara. Aunque
nadie supiera en realidad que era de tristeza.
Fue
cuando recordó a su madre. Una que nunca sintió a la que le importara. Y todo
se le desvanecía de pronto, y luchaba por mantenerse de pie. Es un baile se
decía a si misma. A lo largo de mi vida solo tiene que ser un baile para
simular las caídas. Aunque eso, ya dejó de importarle. Está de rodillas.
A
veces se desconoce así misma. Y de lo que alguna vez fue. Y eso fue hace mucho
tiempo ya. Le entró unas ganas profundas de saber de aquella que conoció una
vez. Una más joven que dejó en el callejón esa tarde cuando tenía 13 y fue su
primera vez. Esa primera vez que ese sueño apareció.
Era
un parque en una cálida tarde de primavera. El sol caía solo perfecto sobre uno
al otro. Que se desvanecía entre recuerdos y la magia de los sueños. De
mostrarnos cosas sin recordar mucho al
despertar. Esa tarde se convertía rápidamente en noche, en caos, en un sonido
que no terminaba de entender si era música. Y
luego ella bailaba, y bailaba hasta quedar de rodillas.
Ese
sueño se repitió varios meses, varios años y siempre en el mismo mes. En el
mismo periodo semanal. Del 6 al 22. Nunca nada cobró sentido hasta ese momento
que ante rodillas se le conmocionaba su propia realidad, incapaz de saber si es
un sueño o en realidad esta sucediendo. Todo a su alrededor comienza a arder en
llamas. Sabe el final.
Todo
quedará reducido cuando terminé la canción.
cainKuri - Montréal, 06, 2019
20190601
Volando sobre océanos
Como si fuera ayer
Yo te llamo
Volando a mi lado
Siempre en sueños
Sumamos diferencias
Dividimos los espacios
Y restamos los océanos
Emociones paralelas
The importance to be specific
The importance to be specific... this can be happening with your life. Is not about being successful (wherever that means). Or to have more money, or to be smarter. Successful in terms of what?, how much money?, smarter than when or who?.
Let's not just write goals... but dates, deadlines. Let's quantify and mesure. Let's be specific. If you are going to kick ass... how many?, when?.
It could never be the same
Don't worry, I smile
I'll miss you, but it's not like you're gone
Don't worry, I smile
It's not like there won't be another one
We laughed about last year
The games we played, the songs we sang
The way we danced all night
Don't worry, I smile
We'll do all those things again next time
And I kiss you
So soft, so pale, so cold,
The words are left unsaid
But we know, we always know
I can sing, I can dance, I can laugh
As if nothing ever changed
But without you, without you
It can never be the same
It can never be the same
Never be the same
Never be the same
No don't worry, I smile
I'll miss you, but it's not like you're gone
Oh don't worry, I smile
It's not like there won't be another one
There won't be another one
However long I wait
There won't be another one
It will always be too late
There won't be another one
We won't do it all again
There won't be another one
Without you, it can never be the same
It can never be the same
It can never be the same
Yeah, I can sing, I can laugh, and I can dance
As if nothing ever changed
Without you, without you
It could never be the same
- The Cure
Barca en alta mar
Todo se va y vuelve
Entre blando y negro
No te marches al mar
A dónde todo vuelve
Llévame a tu lado
En tu barca en alta mar
De memorias olvidadas
Que nadie podrá robar
Depuis 100 ans
Depuis cent ans
Il y a pas vraiment une changement
Croie moi, depuis 100 ans
L'histoire a vu rien changer
Depuis 100 ans
Sans toi c'est plus facile
Sans tes efforts
De rester début
De dire tes penses
Sans toi depuis 100 ans
On veut changer mais
Mais sans faire rien
Sans effort
On part à la dérive alors.
À la dérive, devant toi
Sans changement
Sans change vraiment
Blessures de la mer
Blessures de la mer
C'est si lourd comme le mur
Devant moi qui soutien
Les blessures que j'obtiens
De la beauté de la mer
De toi, de toi, de toi.
C'est si lourd comme des blessures
Tes mystères imaginaires
Qui se trouvent devant moi
Sont si haut comme le peur
De toi, de toi, de moi.
C'est si lourd comme le mur
Devant moi qui soutien
Les blessures que j'obtiens
De la beauté de la mer
De toi, de toi, de toi.
C'est si lourd comme des blessures
Tes mystères imaginaires
Qui se trouvent devant moi
Sont si haut comme le peur
De toi, de toi, de moi.
20190522
20190521
Playa del Carmen
Verificar la siguiente lista
- Switch de electricidad segundo piso
- Llave de paso interior del agua del ticaco.
- Llave de paso de gas
- Cubrir todos los tubos de drenaje
- Ventana de baño abierta.
- Insecticida en puertas y ventanas
- cerrar válvula de paso de agua en banqueta
9841506377 Miguel Taxi
Para sacar IFE
105 con calle 128 esquina - Para IFE Quintanaroence
Cenote Yunkin
Refrigerador
Calle 16 entre 120 y 125 casanova
Gasolina
Av. Colosio con la Carretera federal
HERRERO - ROSEL CASTRO
984 168 5366
WEDDING FILMS IN PLAYA DEL CARMEN
Cinematikweds
20190516
HIPNOTIZAME - FOBIA
HIPNOTIZAME - FOBIA
D Bm
pude cerrar los ojos mas no pude dejar de verte
D F#m G
y dejar de dormir mas no dejar de soñar
D Bm
Puedo callar las voces mas no puedo dejar de oirte,
D F#m G
puedo dejar de ser pero no puedo dejar de estar.
C D Am F
Bésame, hipnotizame
C
ya no me importa mas
G
róbame el alma hechizame
(SIGUEN LOS MISMOS ACORDES PARA LAS ESTROFAS)
Puedo calmar mi mente
mas no puedo calmar mi sangre,
y puedo ser sincero
sin dejar de mentir.
Puedo quedarme cerca,
mas no puedo dejar de oirte
puedo cambiar mi vida,
mas no puedo cambiarme a mi.
Besame, hipnotizame,
ya no me importa mas,
robame el alma hechizame.
Besame, intoxicame,
ya no me importa ser,
un ser sin alma atrapame.
DISTORCION
(Am F C E)
Besame, hipnotizame,
ya no me importa mas,
robame el alma hechizame.
Besame, idiotizame,
ya no me importa ser,
un ser sin alma atrapame.
D Bm
pude cerrar los ojos mas no pude dejar de verte
D F#m G
y dejar de dormir mas no dejar de soñar
D Bm
Puedo callar las voces mas no puedo dejar de oirte,
D F#m G
puedo dejar de ser pero no puedo dejar de estar.
C D Am F
Bésame, hipnotizame
C
ya no me importa mas
G
róbame el alma hechizame
(SIGUEN LOS MISMOS ACORDES PARA LAS ESTROFAS)
Puedo calmar mi mente
mas no puedo calmar mi sangre,
y puedo ser sincero
sin dejar de mentir.
Puedo quedarme cerca,
mas no puedo dejar de oirte
puedo cambiar mi vida,
mas no puedo cambiarme a mi.
Besame, hipnotizame,
ya no me importa mas,
robame el alma hechizame.
Besame, intoxicame,
ya no me importa ser,
un ser sin alma atrapame.
DISTORCION
(Am F C E)
Besame, hipnotizame,
ya no me importa mas,
robame el alma hechizame.
Besame, idiotizame,
ya no me importa ser,
un ser sin alma atrapame.
JOSIN
As follows is the first song of Josin playing live at The Ministère in Montreal in May 2019
Since Montreal is bilingual I wanted to translate this amazing and beautiful lyrics to share them for those who likes... and since my mother tongue is Spanish, I decide to do it also in español.
ENGLISH
Evaporation
by JOSIN
I cry over my loss
'cause it's been all winter's fault
I count on to 3 or 2 or 4
But ain't no fake picture I'm looking at
Maybe all is made
To evaporate
How you feel, love, with this life so short?
How you live, love, when this life s too short?
We're just stupid fools
Who want it all back
Maybe all is made
To evaporate
How you live, love, when this life s too short?
How we love, love, when this life s too short?
Ain't no fake picture we're looking at.
Ain't no fake picture we're looking at.
FRENCH
Évaporation
par JOSIN
Je pleure de ma perte
Parce que c'est la faute de l'hiver
Je compte sur 3 ou 2 ou 4
Mais ce n'est pas une fausse image que je regarde
Peut-être que tout est fait
Évaporer
Comment vous sentez-vous, amour, avec cette vie si courte?
Comment vivez-vous, mon amour, quand cette vie est trop courte?
Nous sommes juste des imbéciles
Qui veut tout revenir
Peut-être que tout est fait
Évaporer
Comment vivez-vous, mon amour, quand cette vie est trop courte?
Comment on aime, mon amour, quand cette vie est trop courte?
Ce n'est pas une fausse image que nous regardons.
SPANISH
Evaporación
por JOSIN
Lloro por mi perdida
porque todo ha sido culpa del invierno
Cuento con 3 o 2 o 4
Pero no hay una imagen falsa que estoy mirando
Tal vez todo esta hecho
Evaporar
¿Cómo te sientes, amor, con esta vida tan corta?
¿Cómo vives, amor, cuando esta vida es demasiado corta?
Solo somos unos estúpidos tontos
Quien quiere que todo vuelva
Tal vez todo esta hecho
Evaporar
¿Cómo vives, amor, cuando esta vida es demasiado corta?
¿Cómo amamos, amor, cuando esta vida es demasiado corta?
No estamos viendo una imagen falsa.
No estamos viendo una imagen falsa.
If you feel for watch videos of her, the way I discover her you start here. From there you can found more videos and her social links. So you will know what to do.
Her official site is: http://josinmusic.com/
Facebook: https://www.facebook.com/josinmusic/
Instagram: https://www.instagram.com/josinmusic/
This is for a T-Shirt, go here if you want to read the full post.
“I’m trying to describe a state where you actually want to get lost in a space, because that nothingness is full of everything. It can shift and bend and creates all shades, if you accept to be only one little atom. It's about being content and conscious of all the things that could be overlooked or forgotten. But everything you long for is around you.”
20190507
Playa del Carmen 2019
TO SEARCH AND THINGS TO DO
- Cenote Yunkin / Cenote Azul
*** Cenote Jardin del Eden
- Balneario El Aserradero (45 pesos)
- Cocalitos / Cenote de la bruja (Free)
***- El Gran Cenote (dicen que muy caro)
- Cenotes Cerca de las Ruinas de Coba (más naturales)
***- Tulum
***- Coba (subir a una torre)
- Balam
- Rio Lagartos
- Las coloradas
- Muyil
- Shianh Khan
*** Holbox
TO EAT
- Taqueria Típica (to eat tacos) (Avenida Juarez / Carretera Federal - Gasolinera y Farmacia del Ahorro)
- La Palapa de Marlon (To eat fish)
-
- Cenote Yunkin / Cenote Azul
*** Cenote Jardin del Eden
- Balneario El Aserradero (45 pesos)
- Cocalitos / Cenote de la bruja (Free)
***- El Gran Cenote (dicen que muy caro)
- Cenotes Cerca de las Ruinas de Coba (más naturales)
***- Tulum
***- Coba (subir a una torre)
- Balam
- Rio Lagartos
- Las coloradas
- Muyil
- Shianh Khan
*** Holbox
TO EAT
- Taqueria Típica (to eat tacos) (Avenida Juarez / Carretera Federal - Gasolinera y Farmacia del Ahorro)
- La Palapa de Marlon (To eat fish)
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