Where are the limits of human technology? And can we somehow avoid them? This is where quantum computers become very interesting.
20151228
Salomé Leclerc - Arlon (Paroles Lyrics)
Salomé Leclerc - Arlon (Paroles Lyrics)
Salomé Leclerc - Arlon (Paroles Lyrics)
Tu cours, je cours aussiComme si des loups pointaient nos vies
Tu tombes, je tombe aussi
Comme si des pièges sous le tapis
guettaient nos corps affaiblis
Pendant ce temps la neige est blanche
Les arbres parfois se penchent
Il y a toujours une éclaircie du haut des toits de Paris
Y aura toujours, avant l'aurore,
un réverbère qui s'endort
À la fenêtre de minuit, Arlon veillera encore
Tu cours, je cours aussi
comme le courant portant nos vies
Tu tombes, je te suis
par la rivière qui passe ici
Nous filerons sans bruit
Les nuits seront longues, des secondes pendant des heures
Mais l'autre bout du monde est toujours plus beau qu'ailleurs
Les nuits seront longues, à marcher dans la noirceur
À l'autre bout du monde il fait toujours plus beau qu'ailleurs
20151220
When we change
The world change with us
And the strongest rain
In the dryest dessert
And everything change in dreams.
20151214
20151202
Love and life... 4 years ago
 |
| Marie-Eve et cainKuri |
| Hace 4 años María y yo decidimos juntar nuestro amor y nuestros sueños. Desde ese día no han dejado de crecer, como árboles a través del tiempo, con sus estaciones que nos han dado inviernos aprendizaje, primaveras esperanza, otoños oportunidad y veranos recolecta. Este tiempo nos ha dado la oportunidad de vernos a nosotros mismos mirando a través del otro. Hemos aprendido que la vida juntos es más viva que nosotros solos. Que la forma de nuestro crecimiento es un círculo en proceso. Una forma en la que juntos sólo somos infinito. Aquí comparto las únicas fotos que existen de ese día y que mi regalo de bodas no sólo fue una salsa tabasco, sino el símbolo de mi promesa de aportar esa chispa picante que le dará sabor a nuestros días. |
Il ya 4 ans, Mary et moi avons décidé de mettre sur pied notre amour et nos rêves. Depuis ce jour, il ya eu de plus en plus comme des arbres au fil du temps, avec ses stations nous ont donné des hivers d'apprentissage, des printemps espoir, de possibilités et recueille étés automnes. Cette fois-ci nous a donné l'occasion de nous voir en regardant à travers l'autre. Nous avons appris que la vie est ainsi plus vivant que nous-mêmes. Que le chemin de notre croissance est un cercle dans le processus. Une façon que seulement ensemble, nous sommes infinie. Ici je partage les seules photos qui existent de ce jour oú mon cadeaux de mariage était non seulement une sauce tabasco, mais le symbole de ma promesse d'apporter une étincelle épicée à nos jours. |
20151119
Que me atrapa
Que me atrapa
la tarde sin sol
murmulla siempre contenta
parece que voy viendo al viento
Que me atrapa la luz del sol
que me abriga sin su color
que me deja con el sabor
que me enreda con su luz
la tarde sin sol
murmulla siempre contenta
con su capa invisible
con su color indelebleparece que voy viendo al viento
Que me atrapa la luz del sol
que me abriga sin su color
que me deja con el sabor
que me enreda con su luz
20151111
Creativity is everywhere in Montreal (Test #1)
 |
| Creativity is everywhere |
Creativity is everywhere in Montreal (Test #1)
Like exercise, sometimes we need to push the muscle of creativity, and the more you push the more it grows. So we have just an idea and at the end it turns to be very cool and we have a lot of great time doing it.
What you see is the final result, but what is really funny is when you realize all the people who pass by and look at you with curiosity of what we are doing.
Marie-Eve is holding her hand to the camera, and then I took photo after photo. -Okay- I said, and both of us, we move one more step, we try to be in the same position of the last photo, move the cap a little bit (did you notice in the video the cap is rotating in Marie-Eve’s head?). -Okay- I said again after taking the photo and we move again. I mean, the way back home was way much longer but somehow richer. We exercise our creative muscle, we have funny couple-time. I learn what I need to do with the test number 2.
Probably will sound little bit corny, but sometimes you just have to do it. Like exercise.
We do a lot of this type of videos and photos, but they never see the light… but we’ve changed our mind. Let’s share them, why not.
Thanks for watching. This is the test number 1 of this idea, let’s see what bring us the test number 2!
Do you Like it?, Share it, Tweet it, Pin it, Google+ it, Tumblr it, and all the social media verbs in between !
20151106
NASA | Thermonuclear Art – The Sun In Ultra-HD (4K)
NASA | Thermonuclear Art – The Sun In Ultra-HD (4K)
20151105
Café De Nadie - Noche Lunar (Rock Alternativo) Audio React
 |
| Café De Nadie |
Genre
Rock Alternativo
Band Member
Rubén García: Compositor, Voz, Arreglos, Guitarra,
Gerardo Rojas: Bateria y Arreglos,
Yahir Ortega: Bajo Eléctrico y Arreglos
Omar Gasca:Guitarra electrica y Arreglos.
Hometown
Puebla de Zaragoza
Record Label
Independiente
Short Description
Descarga nuestro primer sencillo "Noche Lunar" http://www.soundcloud.com/cafedenadierock/nochelunar
http://www.bandpage.com/cafedenadie
Long Description
Café De Nadie, es una banda de rock alternativo, creada en el 2010 bajo el nombre de "Vagabundos", en la ciudad de Puebla, despues de 3 años de trayectoria, en el año 2013, Omar Moreno, guitarrista principal, decide dejar la banda por cuestiones personales, lo cual detiene por unos meses a la banda, justo en el mismo año, la banda regresa a la sala de ensayos, para componer canciones nuevas, y volver a los escenarios, ahora bajo el nombre "Café De Nadie". En el 2014, se integra Omar Gasca, nuevo guitarrista hasta la actualidad.
Participiando en varios eventos en la ciudad, y con metas de grabar el primer EP oficial, el 30 de Septimbre del 2015 lanzan su primer sencillo "Noche Lunar" totalmente descargable en los siguientes links:
Descarga para PC: http://www.soundcloud.com/cafedenadierock/nochelunar
Descarga para Movil: https://cafedenadie.bandcamp.com
Café de nadie:
La puerta del Café se abre hacia la avenida más tumultuosa de sol. Sin embargo, trasponiendo sus umbrales que están como en el último peldaño de la realidad.
Contacto: 22-23-22-40-50 / 22-24-10-59-80
Correo: cafedenadierock@hotmail.com
Twitter: @cafedenadierock
SoundCloud: cafedenadierock
BandCamp: cafedenadie
http://www.bandpage.com/cafedenadie
cafedenadierock@hotmail.com
http://www.bandpage.com/cafedenadie (Other Service)
http://www.soundcloud.com/cafedenadierock (SoundCloud)
http://www.twitter.com/cafedenadierock (Twitter)
https://www.facebook.com/cafedenadierock
http://www.bandpage.com/cafedenadie
20151025
20151017
20151014
Music for your videos (or just your ears)
Music for your videos (or just your ears)
Free music for YouTube Videos / Free copyright music for videos /
Creative Commons Music
Even if you are a video maker or not, there is a tons of music resources out there. You just need to search, but here I'm going to create my own personal list as long I'm finding this sites where we can find music to use in our videos, whether for personal or not. Let's seeSoundCloud
I knew there is somehow a place in soundcloud that artist upload their music but recently I just search by CC so I will put here some useful links that I found that could help us to find the right music for the right project.This one is really really good actually
https://soundcloud.com/NoCopyrightSounds
Dedicated to providing music for creators which can be freely used in any shape or form.
https://soundcloud.com/groups/creative-commons
CC licensed tracks with download enabled.
https://soundcloud.com/freemusiclibrary
https://soundcloud.com/yt-audio-library
https://soundcloud.com/rocavaco
Share - remix - share again - remix again. Endless creativity based on top sources from ccMixter.org
Free music for non-commercial use with Creative Commons license: creativecommons.org/
You can download most songs in high quality flac or wav. If the download limit (100) is reached you can also download from ccMixter.org/people/rocavaco
CCMixter.org
With CCMixter I'm more interested to use it for my music personal projects, could be nice to give a try. Looks simple and very straightforward. Everything with CC content. I like what they say in the about section or is it legal section.Is music I submit automatically under a Creative Commons license?So here the site; http://ccmixter.org/ and if you want to dig, just here http://dig.ccmixter.org/
Yes.
Whether I like it or not?
Yes. If you would prefer to keep your music “all rights reserved,” that’s your choice — just don’t submit it to ccMixter.
They say : “You Already Have Permission With Attribution…”
DanoSongs.com
Well this site is very simple, but is the music that matter right? and it worth it, the music you can get is great and his terms are also nice. He even explain what you can do to probe permission for YouTube and other sites and how to claim a dispute in case of "Matched Third Party Content" notice on your YouTube.
Music Bed
They stand for: Licensing Relevant Music
CURATED CONTENT FOR THE EXCEPTIONAL CREATIVE
Have a very nice selection, very nice navigation and you can feel the design on the site, as well the organization of the library.
Song Freedom
Here you don't find the so loved free options but surely you will find songs that you will recognize or you hear them in the radio, and the value that give to your video will worth the around $50 dollars per license, I saw between 100 and 200, but as I said, the value and the approach of using commercial music and use them legally open different doors for the creative work.Marmoset
Brendad said: I use it regularly for the wedding films I produce. While most of my clients order DVDs or Blurays, the films are primarily viewed and shared online. I never have to worry about calling a client to explain why YouTube or Vimeo pulled their wedding film down. I budget music licensing into every film I produce, and I have to shake my head any anyone who isn’t taking advantage of a service like Songfreedom. There’s no excuse.
Audio Micro
Take a look at this site, it's another place to find music. They have Royalty Free Music, Sound Effects, Loops Packs, Free Sound Effects, License. |
| Audio Micro Stock Music and Sound Effects Screenshot |
Audio Blocks
20151013
What music is and makes
The music is about connection
Music is about creation
Music is about vibration
Music is about silence and sound
Music make you dance
Music make you remember
Music make history
Music is about vibration
Music is about silence and sound
Music make you dance
Music make you remember
Music make history
Music bond us
Music creates memories
More solutions for the film Cowspiracy, BUGS From TED-Ed
If you are one of those who felt that something was missing in the movie COWSPIRACY: The Sustainability Secret, like per example solutions, well... here there is one very good one. Bugs... (just the movie because the site is full of information). Take a look into this video from TED-Ed, Should we eat bugs? - Emma Bryce.
What's tasty, abundant and high in protein? Bugs!
Some insects are made of up to 80% protein.
They are super healthy... most eatable insects contains the same amount or even more Iron than Beef !!!
What's tasty, abundant and high in protein? Bugs!
Some insects are made of up to 80% protein.
They are super healthy... most eatable insects contains the same amount or even more Iron than Beef !!!
They are super rich in fat, minerals, vitamins, and fiber.
Take a look on the video
Lesson by Emma Bryce, animation by NEIGHBOR.
View full lesson: http://ed.ted.com/lessons/should-we-eat-bugs-emma-bryce
20151009
How to fix Asus Setup Error Pop-ups Log.iniis lost
How to fix Asus Setup Error Pop-ups Log.iniis lost
1.- From the start menu search for "Task Scheduler" and open it
2.- Under the Active Tasks section of Task Scheduler (Local), look for tasks that begin with "i-setup" and are triggered at log on of any user and delete them
asussetup
C:\Users\Editor\AppData\Local\Temp\102318Log.iniis lost
asussetup
C:\Users\Editor\AppData\Local\Temp\102429Log.iniis lost
asussetup
c:\users\x\appdata\local\temp\180917Log.iniis lost
asussetup
c:\users\x\appdata\local\temp\182418Log.iniis lost
asussetup
c:\users\x\appdata\local\temp\162234Log.iniis lost
- or -
Removed with register editor next lines:
[HKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Windows NT\CurrentVersion\Schedule\TaskCache\Tree\ASUS\i-Setup180917]
"Id"="{4960FFCF-AAED-4C16-AE65-B0BE6C318F7E}"
"Index"=dword:00000002"
NT\CurrentVersion\Schedule\TaskCache\Tree\ASUS\i-Setup182418]
"Id"="{4960FFCF-AAED-4C16-AE65-B0BE6C318F7E}"
"Index"=dword:00000002"
NT\CurrentVersion\Schedule\TaskCache\Tree\ASUS\i-Setup130842]
"Id"="{4960FFCF-AAED-4C16-AE65-B0BE6C318F7E}"
"Index"=dword:00000002"
Source : http://vip.asus.com/forum/view.aspx?id=20090831230304296&board_id=1&model=M4A78%20PLUS&SLanguage=en-us
1.- From the start menu search for "Task Scheduler" and open it
2.- Under the Active Tasks section of Task Scheduler (Local), look for tasks that begin with "i-setup" and are triggered at log on of any user and delete them
asussetup
C:\Users\Editor\AppData\Local\Temp\102318Log.iniis lost
asussetup
C:\Users\Editor\AppData\Local\Temp\102429Log.iniis lost
asussetup
c:\users\x\appdata\local\temp\180917Log.iniis lost
asussetup
c:\users\x\appdata\local\temp\182418Log.iniis lost
asussetup
c:\users\x\appdata\local\temp\162234Log.iniis lost
- or -
Removed with register editor next lines:
[HKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Windows NT\CurrentVersion\Schedule\TaskCache\Tree\ASUS\i-Setup180917]
"Id"="{4960FFCF-AAED-4C16-AE65-B0BE6C318F7E}"
"Index"=dword:00000002"
NT\CurrentVersion\Schedule\TaskCache\Tree\ASUS\i-Setup182418]
"Id"="{4960FFCF-AAED-4C16-AE65-B0BE6C318F7E}"
"Index"=dword:00000002"
NT\CurrentVersion\Schedule\TaskCache\Tree\ASUS\i-Setup130842]
"Id"="{4960FFCF-AAED-4C16-AE65-B0BE6C318F7E}"
"Index"=dword:00000002"
Source : http://vip.asus.com/forum/view.aspx?id=20090831230304296&board_id=1&model=M4A78%20PLUS&SLanguage=en-us
20151008
3 tips to boost your confidence
This is very usefull information !
When faced with a big challenge where potential failure seems to lurk at every corner, you’ve probably heard the advice, “Be more confident!” But where does confidence come from, and how can you get more of it? Here are three easy tips to boost your confidence.
20151005
Preparando tinga o sábado de tinga en Montréal
Preparando tinga o sábado de tinga en Montréal
La tinga es uno de los platos favoritos de la casa, muchas olvidamos hacer tinga y eso es bueno porque cuando vuelvo a cocinarla nos fascina tanto que la solemos comer todos los días. La congelamos en diferentes recipientes para que nos dure varias semanas. Es uno de nuestros platos favoritos y como ha dicho María en el vidéo... con quesadillas... miaum. Claro está que no puede faltar la ensalada.
Provecho !
Y qué tal... leyendo en wikipedia dice esto...
Aquí también... https://es.wikipedia.org/wiki/Tinga
Y aquí pongo una foto para que vean cómo se ve... creo que nunca me he puesto a hacer fotos de la comida final. Supongo que es porque tenemos hambre y preferimos comer que hacer fotos... hehehe...
La tinga es uno de los platos favoritos de la casa, muchas olvidamos hacer tinga y eso es bueno porque cuando vuelvo a cocinarla nos fascina tanto que la solemos comer todos los días. La congelamos en diferentes recipientes para que nos dure varias semanas. Es uno de nuestros platos favoritos y como ha dicho María en el vidéo... con quesadillas... miaum. Claro está que no puede faltar la ensalada.
Provecho !
Y qué tal... leyendo en wikipedia dice esto...
Tinga is a Mexican dish made with shredded beef in a sauce made of red and green tomatoes, chipotle chili and onion strips. It originated in Puebla, Mexico.[1]Aquí la fuente de wiki... https://en.wikipedia.org/wiki/Tinga_(dish)
Aquí también... https://es.wikipedia.org/wiki/Tinga
Y aquí pongo una foto para que vean cómo se ve... creo que nunca me he puesto a hacer fotos de la comida final. Supongo que es porque tenemos hambre y preferimos comer que hacer fotos... hehehe...
20150929
Jheinsen Montalvo (El Pachuco) - Biographie, Biography, Biografía - FR / EN / SP
Jheinsen Montalvo (El Pachuco)
Biographie, Biography, Biografía
Français, English, Español
 |
| Jheinsen Montalvo (El Pachuco) |
 |
| Jheinsen Montalvo (El Pachuco) |
Biographie
Jheinsen Montalvo (El Pachuco) est un musicien d'origine salvadorienne établi à Montréal. Il débute son étude de la guitare flamenca en Espagne (2000) à Cadix, Séville, Grenade et Jerez. En 2002, il entreprend une formation en guitare classique au Cégep St-Laurent qu'il interrompt afin de se dédier à temps plein à la guitare flamenca. La communauté latino-américaine lui attribue le surnom « El Pachuco » dû à son style vestimentaire qui rappelle la sous-culture de Los Pachucos à Los Angeles dans les années 40-50 et jusqu'à aujourd'hui. En 2008, il crée un évènement mensuel, le Cabaret Flamenco, qui vise à promouvoir le flamenco local sous toutes ses formes. Entre 2009 et 2012 il a été appelé à accompagner différentes académies de danse flamenco d’ici. Ayant la volonté de toujours se perfectionner, il participe aux cours de maîtres de Caroline Planté, José de la Vega, José Galvez et Javi Gomez lors de leurs passages à Montréal. Normand Vanasse est également un guitariste qui a su lui transmettre la passion pour la guitare flamenca. Plus récemment, El Pachuco a eu la chance d’accompagner des artistes internationaux et locaux tels que la Pulga (danse), Pilar Ortega (accompagnement des stages de danse), Raul Ortega (danse), Sara Salado (chant), Concha Jareño (accompagnement des stages de danse), Hedi “El Moro”, José Luis Perez (chant), Delphine Mantha, Maria Osende, Julie Fontaine, Marie-Andrée Cloutier et Lyne Mcgee (danse). Il travaille depuis 3 ans au développement de son projet de création dans lequel il fait dialoguer le flamenco avec le jazz : Pachuco FlamenkoJazz. El Pachuco est attaché à ce monde par les six cordes de la guitare.
Biographie courte
Jheinsen Montalvo (El Pachuco) est un musicien né à Los Angeles d'origine salvadorienne établi à Montréal. Il débute son étude de la guitare flamenca en Espagne (2000) à Cadix, Séville, Grenade et Jerez. En 2002, il entreprend une formation en guitare classique au Cégep St-Laurent qu'il interrompt afin de se dédier à temps plein à la guitare flamenca. Étant très actif dans la scène locale, il a eu la chance d’accompagner des artistes flamenco internationaux et locaux tels que Pilar Ortega, Raul Ortega, Sara Salado, Concha Jareño, Maria Serrano, Hedi “El Moro’’, Delphine Mantha, Maria Osende, Hédi Arquillières et Lyne Mcgee. Il a notamment joué aux côtés de musiciens jazz et latin-jazz tels que Yoel Diaz, Éric Khayat, Yoito Torres et Alex Bellegarde. Il travaille depuis quelques années au développement de son projet de création dans lequel il fait dialoguer le flamenco avec le jazz : Montalvo Flamenko Jazz. Jheinsen El Pachuco Montalvo est attaché à ce monde par les six cordes de la guitare.
Biografía
Jheinsen Montalvo (El Pachuco) es un músico nacido en Los Angeles de origen salvadoreña y que vive en Montreal,QC, Canadá. Realizó un primer viaje a España en el año 2000 para aprender a tocar la guitarra flamenca. Llegando en Andalucía, se ha descubierto una verdadera pasión por esta forma de arte cuya esencia le fue revelada por el pueblo gitano de Cádiz, Sevilla, Granada y Jerez. En 2002, empezó a estudiar la guitarra clásica en el CEGEP St-Laurent que luego interrumpe para dedicarse a tiempo completo al estudio de la guitarra flamenca. En 2004, toca con diversos grupos de música Latina para profundizar sus experiencias musicales. Sus raíces latinas permitieron integrar con facilidad una variedad de estilos musicales: el folklore Andino, boleros, música mexicana, bachata, salsa y son cubano. Es la comunidad de América Latina que le da el apodo de "El Pachuco" debido a su estilo de vestir, una reminiscencia de la subcultura de Los Pachucos en Los Angeles de los años 40-50 hasta hoy. Desde 2006 a 2008, acompaño a bailaoras tal Hedi Arquillieres y Marie Deschênes además de colaborar con músicos como Zal Idrissa Sissohko y Hassan El Hadi. El Pachuco se produce regularmente en la escena de Montreal del flamenco y acompaña los espectáculos de fin de año de varias escuelas de danza. En 2008, ha creado un evento mensual, el Cabaret Flamenco, qué tiene por meta de promover el flamenco en todas sus formas. La voluntad de perfeccionamiento conduce a este joven guitarrista a participar regularmente en cursos de maestros de la guitarra flamenca con José de la Vega, José Galvez, Javi Gomez y Caroline Planté cuando están de paso en Montreal. Recientemente, El Pachuco ha tenido la oportunidad de acompañar a artistas internacionales y locales como la Pulga (Baile), Pilar Ortega (acompañamiento de cursillos de baile), Maria Serrano (acompañamiento de cursillos de baile), Raul Ortega (Baile), Sara Salado (Cante), Concha Jareño (acompañamiento de cursillos de baile), Hedi "El Moro" (Cante) y Delphine Mantha (Baile). Desde algunos años ya, trabaja al desarrollo de su proyecto en el que interactúan flamenco y jazz: Montalvo Flamenko Jazz (antiguamente Pachuco Flamenko Jazz). El ha tenido de oportunidad de tocar junto a músicos jazz y latin-jazz como Yoel Diaz, Éric Khayat, Alex Bellegarde, Sergio Barrenechea y Yoito Torres. Jheinsen El Pachuco Montalvo esta enlazado a este mundo por las seis cuerdas de la guitarra.
20150928
20150926
20150909
20150907
20150902
La ropa que se queda
La que nos acompaña y la que en un punto, nos deja. O nosotros la dejamos a ella.
20150821
20150817
Resolution Comparison 4K to 1080p and Codec Comparison AVCHD and XAVC-S/I/L
This is a Personal Codec and Resolution Comparison. Wich one do you think looks better?
Completing the information from my blog
http://cainkuri.blogspot.ca/2015/07/from-hd-to-4k-via-sony-pxw-z100-memory.html
This is my personal Codec and Resolution Comparison. Wich one do you think looks better?
http://cainkuri.blogspot.ca/2015/07/from-hd-to-4k-via-sony-pxw-z100-memory.html
When the music changes, It is a different comparison.
Notes:
- The audio was left in Default settings.
- The Memory Cards are XQD Lexar Professional 1100x 64 Gb
- To complete this information you can go to my blog to read more about the camera, the different models of memory cards and the recording time of each of them in the link
- http://cainkuri.blogspot.ca/2015/07/from-hd-to-4k-via-sony-pxw-z100-memory.html
All videos edited in Premiere Pro CC 2015 with this Sequence Settings
--- General ---
Editing mode: RED Cinema
Timebase: 29.97fps
--- Video Settings ---
Frame size: 1920h 1080v (1.0000)
Frame rate: 29.97 frames/second
Pixel Aspect Ratio: Square Pixels (1.0)
Fields: No Fields (Progressive Scan)
= Comparison =
--------- #1 ---------- From 0 to 00:00:23:20
Shutter Speed : 1/60
Focal Distance : 6.2 m
f:4.4
Type: MPEG Movie
Image Size: 1920 x 1080
FFrame Rate: 59.94
Codec:
AVCHD
H.264/MPEG-4 AVC Long GOP High Profile 4:2:0 Unconstrained Coding
Scale in Premiere : No Scale
--------- #2 ---------- From 00:00:23:20 to 00:00:47:10
Shutter Speed : 1/60
Focal Distance : 6.2 m
f:4
Type: MXF
Image Size: 3840 x 2160
FFrame Rate: 59.94
Codec :
XAVC-L 150
H.264/MPEG-4 AVC Long GOP High Profile 4:2:0 Unconstrained Coding
Scale in Premiere : 50
--------- #3 ---------- From 00:00:47:10 to 00:01:06:15
Shutter Speed : 1/30
Focal Distance : 6.2 m
f:4
Type: MXF
Image Size: 3840 x 2160
Frame Rate: 29.97
Codec :
XAVC-I
AVC Unconstrained
Scale in Premiere : 50
--------- #4 ---------- From 00:01:06:15 to 00:01:40:15
Shutter Speed : 1/60
Focal Distance : 6.2 m
f:4
Type: MXF
Image Size: 4096 x 2160
Frame Rate: 59.94
Codec :
XAVC-I
AVC Unconstrained
Scale in Premiere : 47.0
--------- #5 ---------- From 00:01:40:15 to 00:02:11:05
Shutter Speed : 1/60
Focal Distance : 6.2 m
f:4
Type: MXF
Image Size: 1920 x 1080
Frame Rate: 59.94
Codec :
XAVC-I
AVCI 100
Scale in Premiere : No Scale
--------- #6 ---------- From 00:02:11:05 to 00:02:41:15
Shutter Speed : 1/48
Focal Distance : 6.2 m
f:2.8
Type: MXF
Image Size: 1920 x 1080
Frame Rate: 23.976
Codec :
XAVC-I
AVCI 100
Scale in Premiere : No Scale
Recording Time : 75 min (in a XQDC Card of 64 Gb)
--------- #7 ---------- From 00:02:41:15 to 00:03:10:05
Shutter Speed : 1/48
Focal Distance : 6.2 m
f:4
Type: MXF
Image Size: 1920 x 1080
Frame Rate: 23.976
Codec :
XAVC-L 35
AVC Long GOP High 4:2:2 Profile 10-bit Unconstrained Coding
Scale in Premiere : No Scale
Recording Time : 184 min
--------- #8 ---------- From 00:03:10:05 to 00:03:35:25
Type: MXF
Image Size: 3840 x 2160
Frame Rate: 59.94
Codec :
XAVC-L
H.264/MPEG-4 AVC Long GOP High Profile 4:2:0 Unconstrained Coding
Scale in Premiere : 50
--------- #9 ---------- From 00:03:35:25 to 00:04:01:20 (final)
Type: MXF
Image Size: 1920 x 1080
Frame Rate: 59.94
Codec :
XAVC-L
AVC Long GOP High 4:2:2 Profile 10-bit Unconstrained Coding
Scale in Premiere : No Scale
20150810
Palabras y miradas
Palabras y miradas
cainKuri
Palabras con miradas azules que vienen del mar¿Quién se escucha al fondo del aparador?
Conozco los defectos de tu corazón
Espejo mio, reflejo de mi amor.
Enciendes las palabras que me miran
como plantas de una película de ficción.
Susurras palabras entrecortadas,
escenas que repiten su color.
Arena que desencadena el deseo en sal
Esponjas que absorben el calor animal
de tu vientre sideral
de mi mente que se pierde sin pensar.
20150809
20130228 Caminando a la guarderia entre la nieve de Montreal
20130228 Caminando a la guarderia entre la nieve de Montreal
20120301 Bike in the snow of Montreal
20120301 Bike in the snow of Montreal
De esos días de hacer bicicleta en la nieve de Montréal.
De esos días de hacer bicicleta en la nieve de Montréal.
20150805
The Mountains - There Is Always Hope (Lyric Video) and Lyrics
Video by Peter Due
The Mountains - There Is Always Hope
You know that I've been wanted,Oh, is it just waiting.
For you to say something.
It's time to start changing.
There's nothing worse than love.
When it's fading
But I'm dreaming up something.
And hope it's always someone. You know
Do I really wanna know?
Do you really wanna go?
x4
You gotta hang on to something.
When there's something to hang to.
You gotta hang on to something.
And there is always hope.
You're turning every stone.
and I'm waiting.
It's time you said something?
Do you mean to say something?
Your moving through a room.
Your lips parting
Are you waking up slowly?
There's a mirror.
In our love
Do I really wanna know? / You act like you don't know me at all
Do you really wanna go? / You act like you don't know me at all
x4
You gotta hang on to something.
When there's something to hang to.
You gotta hang on to something.
And there is always hope.
Do I really wanna know?
Do you really wanna go?
x4
You gotta hang on to something
Do I really wanna know? / Do you really wanna go?
You gotta hang on to something
Do I really wanna know? / Do you really wanna go?
You gotta hang on to something
Do I really wanna know? / Do you really wanna go?
There's always hope
You gotta hang on to something
Do I really wanna know? / Do you really wanna go?
You gotta hang on to something
Do I really wanna know? / Do you really wanna go?
You gotta hang on to something
Do I really wanna know? / Do you really wanna go?
There's always hope
You gotta hang on to something
You act like you don't know me at all.
Follow The Mountains
https://www.facebook.com/TheMountains...
https://instagram.com/themountainsmusic
20150801 HouseMistaken Sharpenmedium HitFilmVibranceDefault
20150801 House Mistaken export with Sharpen Medium HitFilm Vibrance Default
20150801 House Mistaken
Export in Sony Vegas with
- Sharpen in Medium and
- HitFilm Vibrance at Default
Channel : https://www.youtube.com/user/cainkuri
Blog : http://cainkuri.blogspot.com/
20150801 House Mistaken
Export in Sony Vegas with
- Sharpen in Medium and
- HitFilm Vibrance at Default
Channel : https://www.youtube.com/user/cainkuri
Blog : http://cainkuri.blogspot.com/
20150803
Left behind
The only thing I can have, is what I can give. Left behind.
The only thing I can have, is what I can give. Left behind.
The portfolio
The portfolio
Estábamos en un edificio y una persona escapaba. De alguna manera alto un portafolio con una información súper valíosa dentro. Era solo información que no sabía que era pero alguien me perseguía para obtenerlo.
Hasta que llegamos a otro lugar público y al parecer no podía hacer nada. Haya que llegamos al trabajo de la persona que nos perseguía. Luego quise hablar con el jefe y no podia abrir el pasillo pata ver porque era tan importante. Y así hasta que llama esconderme en el metro, en un concierto, en un supermercado y en el estacionamiento entre a una escuela.
Pero siempre me encontraba. Hasta que fuimos con alguien que trabaja en el gobierno o eso parecía y antes casi pierdo el portafolio y el lo obtiene, pero antes de buscar a esta persona que parecía estar enferma y estaba como en un lugar secreto, pude finalmente abrirlo,. Eran las pruebas con fotografías y documentos de quien realmente fue el asesino de Selena (ve tu a saber porque ella) pero mientras ellos dos discutían yo pude escabullirme entre otras personas y en la salida, afuera del edificio tome un taxi directo al aeropuerto. En ese momento supe que harían lo que fuera para recuperar esos documentos y yo e alguna manera tenía que hacer pública esa información. Supe que mi vida estaba de por medio. También sentí como todo era rastreable, tarjetas de crédito y así. Decidí en ese momento hacer creer que me iba en el avión pero me quedaba.
En el folder a estaba escrito mi nombre pero eso no lo sabemos sino mucho después.
20150716
From HD to 4K via Sony PXW-Z100, Memory Cards XQD, Transfer Speeds, Codecs XAVC-I, XAVC-S, XAVC-L and Recording Times
From HD to 4K via Sony PXW-Z100, Memory Cards XQD, Transfer Speeds, Codecs XAVC-I, XAVC-S, XAVC-L and Recording Times
In this world to be happy we need to have progress, and for that we need challenges.
At Plasma we are looking all the time to offer better quality services. 4K give us this sharpness, crispiness and crunchiness that we want to see in our client's videos. But there is a long way to search, research, test and learn about the implementation of 4K in the level of our studio and in the level of the target of our clients.
I will go with prices, models and this type of camera (one-man camera with everything you need shoot and go) as an option of a sea of options.
Let's start with the prices of the Memory Cards and the Camera Sony PXW-Z100 in Lozeau
Sony PXW-Z100 Brochure of 2013
Are you kidding me? Just 20 minutes of recording in a 64GB ? Is to re-think your way of shooting.
https://pro.sony.com/bbsccms/assets/files/micro/xdcam/brochures/v2589a_PXW_Z100_Brochure.pdf
If you are looking for information about the PXW-Z100, you will arrive inevitably into this interesting and informative post of the site xdcam-user.com
A Tale of Two Cameras – The PMW-300 and PXW-Z100 reviewed.
December 20, 2013
The thing is that alisterchapman compare the two cameras, in witch open a new "option" if you are asking yourself witch one to buy and, this post is from 2013, so the information is valuable but in two years a lot of things happens, he talks about future updates and when the new codec will be available.
But I will quote the most valuable information (for our purposes) as follow:
The Z100 comes with Sony’s XAVC codec. This is a 10 bit, 4:2:2 “I” frame only codec. In the future there will be a firmware update to add the more compact 4:2:0, long GOP XAVC-S codec. A further update will also add the ability to record AVCHD on to an SD card into the currently un-used SD card slot next to the two XQD slots.
XAVC is a great codec. It offers very high quality 10 bit recording at different resolutions and different frame rates. Unlike Mpeg 2 it is not restricted to 30fps and HD. It is the same codec as used in the PMW-F5 and F55 cinema cameras. It is almost certainly going to become standard on most Sony pro camcorders in the future. For post production it is already supported in FCP-X, Adobe Premiere, Avid, Edius, Resolve and of course Sony Vegas.
One thing to be aware of though is the data rates. These are higher than XDCAM. In HD the data rate, depending on frame rate is around 100Mb/s, that double the amount of data compared to XDCAM HD422 and almost 3 times as much data as XDCAM EX. So a 32GB XQD card will only last a around 30 minutes (depending on frame rate 24/25/30fps, 15 mins at 50/60p). If you want to shoot in 4K things get even worse, a 32GB card lasting between 12 and 14 minutes at 24/25/30fps and a mere 6 to 8 minutes at 50/50p. For most people a 32GB card will not be big enough and your going to need a couple of 64GB cards as a minimum. Once the XAVC-S codec becomes available as an option you will be back to similar data rates and storage requirements to XDCAM HD, but without the image quality benefits that the full XAVC codec brings.
The Z100 has two slots for the XQD cards and as one card fills up the camera will automatically switch to the next card without any interruption to the recording. As XAVC can shoot at full HD when you enter into the cameras S&Q mode you can choose any frame rate up to 60fps and the recording will be in full HD.http://www.xdcam-user.com/2013/12/a-tale-of-two-cameras-the-pmw-300-and-pxw-z100-reviewed/
Rentals in Australia
In this site of rentals, they just show the Codec in wich the Camera Sony PXW-Z100 is able to record, XAVC recording format at 4K 50fps/60fps, 4:22 10-bit at 500/600Mbps,HD at up to 223Mbps
the Codec or how much you can record or what do you need for this... what it shows is that they camera are using the XAVC-S Format for 150 Mbps 4K Recording, but just that.
http://www.dragonimage.com.au/sony-pxw-z100-4k-compact-xdcam-camcorder-with-xavc-recording.html
About the Sony XQD Memory Cards
Considering Buying Memory Cards this is what I found about Recording Times of the Sony XQD Memory Cards. This apply for the camera Sony PXW-FS7, FDR-AX1, and the camera we are interested wich is the Sony PXW-Z100.
The larger capacity 128GB model expands the line-up allowing up to 40 minutes of 4K XAVC Intra 422 60p (600Mbps) recording with Sony's 4K video cameras.
The Data Transfer Speed of the G Series, S Series and N Series of Cards are as follow:
Read and Write Transfer Speed of the diferent series of the XQD Memory Cards
http://www.sony.net/Products/memorycard/en_us/xqd/
About the Firmware Update of the camera Sony PXW-Z100
This camera went to the market 2 years ago, and they are talking about future updates, until now that I just saw this 2 months ago in the official site of Sony, down below the link.
Product Firmware and Setup Utilities
Last Updated: May 4, 2015
XDCAM XAVC Memory CamcorderLast Updated: May 4, 2015
For model: PXW-Z100
This is coming from the oficial site (or microsite) of Sony in the following link :
http://pro.sony.com/bbsc/ssr/micro-xdcam/resource.downloadsAbout The function to record in XAVC-L format
This is the PDF where you can see the ability to record in XAVC-Lin the camera Sony PXW-Z100, This is the date, Last Updated: May 4, 2015
About the Codecs XAVC-I, XAVC-L and XAVC-S recording
Sony originally introduced the XAVC codec in February 2013 with XAVC-I recording in the F55 and F5 digital cinema cameras. Since that time, we've vastly expanded the range of products that incorporate XAVC technology—and we've extended the technology itself to three different tiers of production.
- XAVC-I. The Intra-frame only version delivers exquisite pictures. Using intra-frame compression means consistent quality, even in scenes with fast motion. The incorporation of highly advanced compression tools yields images of uncommon fidelity. Tech specs: MXF wrapper • 10-bit • 4:2:2 • Full HD at 89 Mbps (23.98p).
- XAVC-L. The Long-GOP version takes advantage of the similarity among video frames to achieve even greater compression efficiency. You get stunning quality and extremely modest bitrates. Tech specs: MXF wrapper
• 10-bit (HD) • 4:2:2 (HD) • Full HD at 50, 35 or 25 Mbps. - XAVC-S. The next-generation consumer video codec. Tech specs: MP4 wrapper • 8-bit • 4:2:0 • Full HD at 60 or 50 Mbps.
About the Codec XAVC-L
Long recording times.
Productions must contend with a stubborn practical question: how long are the loads? That's a critical issue for documentaries, natural history and reality TV. The magic of the XAVC codec, especially XAVC-L, is the ability to capture stunning 10-bit, 4:2:2 Full HD content at a budget-friendly 50, 35 or even 25 megabits per second. So you can record hour after hour of content on a single memory card!
XAVC-L recording enables the Sony PXW-FS7 to capture more than eight hours of spectacular HD content on a single, 128 GB card.
http://pro.sony.com/bbsc/ssr/micro-xdcam/resource.latest.bbsccms-assets-micro-xdcam-latest-XAVC.shtml
The Shogun automatically detects the 4K signal from the camera and you are all set to shoot. The only thing left to do is select what flavour of ProRes you want to record in. I really like the ability to choose between ProRes LT, 422 or 422 HQ. In 422HQ with a 480GB SSD you can record around 1hour and 20min of 4K footage. For a lot of users ProRes 422 will be more than enough.
About the Atomos Shogun
http://www.atomos.com/shogun/The Shogun automatically detects the 4K signal from the camera and you are all set to shoot. The only thing left to do is select what flavour of ProRes you want to record in. I really like the ability to choose between ProRes LT, 422 or 422 HQ. In 422HQ with a 480GB SSD you can record around 1hour and 20min of 4K footage. For a lot of users ProRes 422 will be more than enough.
http://www.newsshooter.com/2014/12/31/atomos-shogun-4k-recorder-review-the-good-the-bad-and-the-4k/
Rentals in Montreal
ATOMOS SHOGUN (HDMI) with SSD Sandisk 500GB - $90 x 48 hrs
http://royalphoto.com/en/rentals.html
In the next video I show some of the test I pass. One of the things I never read anywhere else, was that once you change of codec to another (not all) the camera have to "restart" so even if this time is not that much, just by doing the test, I realize that is not that "practical", I guess you need to know what is the exact codec you will use and stick on it and dont change it. As always depend of the type of project but at least I put it here.
http://royalphoto.com/en/rentals.html
In the next video I show some of the test I pass. One of the things I never read anywhere else, was that once you change of codec to another (not all) the camera have to "restart" so even if this time is not that much, just by doing the test, I realize that is not that "practical", I guess you need to know what is the exact codec you will use and stick on it and dont change it. As always depend of the type of project but at least I put it here.
Subscribe to:
Posts (Atom)